| Issue Date | Title | Author(s) |
| 2022 | Against Home: Neanderthal Ontology, Movement, and Locative Thinking | Banker, Bryan |
| 2021 | İrlanda Cumhuriyetçiliğinin Bir Ucube Olarak Portresi | Kangüleç Coşkun, Kübra |
| 2021 | Edebiyatın Ucubeleri | Doğan, Pelin; Çakay Nebioğlu, Rahime; Kangüleç Coşkun, Kübra |
| 2023 | Charles Dickens’ın Büyük Umutlar ve Neil Gaiman’ın Coraline Başlıklı Eserlerinde Ana Tanrıça Korkusunun Yansımaları | Kangüleç Coşkun, Kübra |
| 2023 | Le Fanu’s “carmilla”: the Magical Female Body Beyond the Colonial English Rationalism | Kangüleç Coşkun, Kübra |
| 2020 | Elements of Brecht’s Epic Theatre in Caryl Churchill’s Mad Forest and Sarah Kane’s Cleansed | Bal, Mustafa |
| 2021 | Apocalypse In-Yer Mark Ravenhill’s Faust Is Dead | Bal, Mustafa |
| 2021 | Nature Vs. “reality” in Fantasy Fiction: the Potential for Ecocritical Imaginings | Bal, Reyyan |
| 2016 | Caryl Churchill Lament for the University of Misogyny : a Study Based on the Herstory of the "witches" in Vinegar Tom, Cloud Nine, Owners and Top Girls | Dinçel, Melahat Sibel |
| 2021 | Psychology of Belonging and Traumatised Soldiers in In-Yer Theatre: Anthony Neilson’s Penetrator and Sarah Kane’s Blasted | Bal, Mustafa ; Fırtına, Çağan |
| 2021 | Memory Plays: Harold Pinter’s Old Times and Anthony Neilson’s Penetrator | Bal, Mustafa |
| 2015 | Home Rhapsodies: Caryl Phillips and Cartography of Transgressivity | Öner, İ. Murat; Bal, Mustafa |
| 2017 | Conflict Unresolved: Men's Responses To Second Wave Feminism in Wendy Wasserstein's Isn't It Romantic (1983) and the Heidi Chronicles (1988) | Başer, Duygu Beste |
| 2017 | A Letter From I.b. Gentleman: Sir Thomas Smith’s Ulster Scheme and Its Scottish Context | McMillan, C. |
| 2017 | Kazuo Ishiguro'nun Çocukluğumu Ararken Adlı Romanına Yeni Tarihselci Bir Yaklaşım | Serdaroğlu, Duygu |
| 2019 | Homage Payed To the King: Marlowe and Shakespere’s ‘collaboration’ in Defense of Daemonologie | Dinçel, Melahat Sibel |
| 2019 | The Beginnings Of Shakespearean Influences On Ottoman-turkish Drama: Namık Kemal's Akif Bey (1874) And Gülnihal (1875) | Dinçel, Melahat Sibel |
| 2016 | Sarah Kane ve Postdramatik Tiyatro | Bal, Mustafa |
| 2017 | Waterland: (re)textualizing Histories and Historicizing the Past | Serdaroğlu, Duygu |
| 2017 | A New Historicist Approach To Kazuo Ishiguro’s When We Were Orphans | Serdaroğlu, Duygu |
