Please use this identifier to cite or link to this item:
https://hdl.handle.net/20.500.11851/10314
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Banker, Bryan | - |
dc.date.accessioned | 2023-04-16T10:00:15Z | - |
dc.date.available | 2023-04-16T10:00:15Z | - |
dc.date.issued | 2022 | - |
dc.identifier.issn | 1753-8637 | - |
dc.identifier.issn | 1753-8645 | - |
dc.identifier.uri | https://doi.org/10.1558/jazz.23072 | - |
dc.identifier.uri | https://hdl.handle.net/20.500.11851/10314 | - |
dc.description.abstract | In Both Directions at Once, an album lost for almost 40 years, John Coltrane presents a constellation of musical tradition, themes, composition and improvisation, in dialecti- cal opposition. This article imagines Coltrane as a sonic philosopher of oppositions and the album-named after Coltrane's quote in which he attempts 'starting a sentence in the middle, and then going to the beginning and the end of it at the same time... both directions at once'-as his philosophical treatise. Borrowing from biographers, musi- cologists and jazz critics, this contribution argues that in the album, the music engages with itself rather than seeking resolution or finality. In other words, Coltrane's dialecti- cal aesthetic drives the aesthetic. Both Directions at Once is sound focused on soni-cally opposing forces. It is an attempt by a deep thinker to present contradictions and oppositions between musical polarities that may create new potentialities. What listen- ers hear is Coltrane, the philosopher, striving toward a multidirectional aesthetic that furnishes music unshackled from the conditions of possibility. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Equinox Publishing Ltd | en_US |
dc.relation.ispartof | Jazz Research Journal | en_US |
dc.rights | info:eu-repo/semantics/closedAccess | en_US |
dc.subject | John Coltrane | en_US |
dc.subject | jazz | en_US |
dc.subject | music | en_US |
dc.subject | philosophy | en_US |
dc.subject | dialectics | en_US |
dc.title | Both Directions at Once : John Coltrane, the Sonic Philosopher of Oppositions | en_US |
dc.type | Article | en_US |
dc.department | TOBB ETÜ | en_US |
dc.identifier.volume | 15 | en_US |
dc.identifier.issue | 1-2 | en_US |
dc.identifier.startpage | 107 | en_US |
dc.identifier.endpage | 125 | en_US |
dc.identifier.wos | WOS:000907051300008 | en_US |
dc.identifier.scopus | 2-s2.0-85146973677 | en_US |
dc.institutionauthor | … | - |
dc.identifier.doi | 10.1558/jazz.23072 | - |
dc.authorscopusid | 58081668000 | - |
dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
dc.identifier.scopusquality | Q4 | - |
item.openairetype | Article | - |
item.languageiso639-1 | en | - |
item.grantfulltext | none | - |
item.fulltext | No Fulltext | - |
item.openairecristype | http://purl.org/coar/resource_type/c_18cf | - |
item.cerifentitytype | Publications | - |
crisitem.author.dept | 07.01. Department of English Language and Literature | - |
Appears in Collections: | Scopus İndeksli Yayınlar Koleksiyonu / Scopus Indexed Publications Collection WoS İndeksli Yayınlar Koleksiyonu / WoS Indexed Publications Collection |
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